SURTALCHILGAAN DEER DARAHAD ARILJ KINO GARNA.
Welcome to Rivet Town where two joyfully wedded, common laborers robots at last have an infant ‘bot to amass. Child robots touch base in manufacture it-yourself packs, and the extended periods of gathering are a work of adoration, in light of the fact that, as Mrs. Copperbottom clarifies, “… making the infant is the fun part.” After 12 hours of cheerful gathering, little Rodney Copperbottom (the voice of Ewan McGregor) is “conceived.”
As Rodney develops from year to year, he is collected from leftover parts. As a little child, he utilizes preparing wheels to figure out how to “walk.” He makes them humiliate year in secondary school with a middle that once had a place with a teenaged young lady cousin. Rodney dreams of being a designer and improving life and simpler for his family. Rodney’s saint is Big Weld (the voice of Mel Brooks), who is on TV routinely—encouraging everybody in Robot Land to think of thoughts to take care of issues. He invites new thoughts at his enormous enterprise, Bigweld Industries. Enormous Weld says, “See a need, fill a need.” His trademark is, “You can sparkle regardless of what you’re made of.” Everyone admires him.
Be that as it may, one of Rodney’s innovations gets him and his Dad stuck in an unfortunate situation at Gunk’s Greasy Spoon, where his Dad functions as a dishwasher (truly). His Dad is required to pay back the harms, which the family can’t bear.
Rodney is resolved to go to Robot City. He is certain in the event that he can simply get into see Big Weld, this empowering guide will give him a vocation imagining a wide range of extraordinary do-fathers to help all robot kind. Rodney’s Dad has constantly enlivened him to plan for an impressive future. Mr. Copperbottom urges Rodney to indicate Big Weld his thoughts. With caring insight, he says farewell to his child—supporting him with these words, “Take after your fantasies, never surrender!”
Rodney touches base in glamourous Robot City with high trusts and enormous dreams. He becomes a close acquaintence with Fender (Robin Williams at the highest point of his frame), a robot with a couple screws free, and whatever remains of his cloth label companions. They take Rodney to Aunt Fanny’s Place, a notable safe house for newcomers to the huge city. Close relative Fanny (the notable voice of Jennifer Coolidge) is the brunt of a crescendo of backside jokes—as her “fanny” is a quite magnificent derriere! At the point when Rodney inquires as to why she’s called Aunt Fanny, Fender shouts “well, we couldn’t call her Aunt Booty!” The folks make little jests like she’s been raise finished and alluding to her as being truly diletantish fartsy. Every one of the children in the theater were coming in the isles at the finale to this scene, loaded with a wide assortment of unstable hints of robots passing wind.
In the interim, the vile Rachet (the voice of Greg Kinnear) and his mom, the malicious Gasket (voice of Jim Broadbent), have assumed control Bigweld Industries, holding the dearest Big Weld prisoner in his research center. Rachet, the new president, is resolved to make himself and Mommy rich no longer giving extra parts to settle old robots (“outmodes”). Starting now and into the foreseeable future, the organization will expand benefits by making superbly great robots feel awful about themselves, with the goal that they will arrange pointless, yet extremely shinny, excessively costly redesign parts. Bigweld Industries’ new motto will be, “The reason be you, when you can be new?” All outmodes are wanted to be cleared up and sent to the “Cleave Shop” where they are never observed again… the identical to Robot Death!
There is one corporate robot, Cappy (the voice of Halle Berry), who does not concur with Rachet’s strategies, and is suspicious of the whereabouts of the enormous manager himself, Big Weld.
Through an arrangement of clever conditions, Cappy and Rodney meet up to ruin the detestable arrangements of Rachet and Gasket. After Big Weld neglects to show up at the yearly Big Weld Ball, they and their companions go in inquiry Big Weld, so he can help them spare all robots—obsolete, old and new indistinguishable.
Just at the last possible second Big Weld, Rodney, Cappy and Fender act the hero. The outmodes know it is their opportunity to sparkle, as they annihilation Rachet and Gasket’s threatening robot armed force, with Rodney’s resourcefulness and quick on-his-feet creations sparing the day!
The motion picture incorporates comic references to robot’s prevent parts, and there are some potty jokes, including an amplified flatulate joke succession, and some mellow sexual amusingness, including jokes about cross-dressing and “settling” a canine. Grown-ups will see these slight innuendoes, yet most will fly directly over the heads of children; they will be most enchanted with Aunt Fanny jokes. Not surprisingly, there is no foul dialect in this child well disposed flick. In transit out of the theater, I asked a few children (going in age from 7 to 12) what they preferred best about “Robots.” They all said they loved Fender and Aunt Fanny the best.
Grown-ups will see a natural story unfurling—the one we as a whole know, of a maverick looking for his fantasies, and through much risk, strong kinships, combined with the support of family, conquering apparently unsurmountable chances to accomplish his objective. To youngsters, this might be another idea, fortifying self regard and unlimited love. Guardians can utilize this story as a springboard to talk about the distinction between the two proverbs utilized by Big Weld and Rachet—and what it intended to Rodney to have his Mom and Dad have faith in him and to know he had their unrestricted support and love.
Again and again God urges us to have confidence (Heb. 11:1-6, Jude 20-21), trust (1 Peter 1:3, Romans 5:5), be a decent illustration (1 Timothy 4:12, John 13:1-17), and to show love and thoughtfulness (Gal. 6:10, 1 Cor. 13:4-8). The characters in “Robots” are by and large a decent case for offspring of any age. Guardians can get on this and authorize this sort of conduct. Our reality is reft with so much negative data, what an invigorating background it was to sit for some time and luxuriate in the gleam of sheer euphoria and positive, even senseless amusingness. Say thanks to God for the endowment of giggling.
Coincidentally, you won’t have any desire to miss the little CGI toon going before the film, which is the proceeding with adventure of a little squirrel attempting to get a much looked for after nut—a side splitter in itself!